The course is supported by lectures and seminars in areas of dress history, construction and design to enable students to critically reflect on, and to consider the place of their practice within the discipline. Seminar discussion with a diverse range of artists will invite critique of students’ work. The intense testing of work and practice in a challenging but safe arena is a particular element of the Master of Arts program and an innate strength of the learning process that is engendered at the Graduate School. Areas of expertise within the course team include: Historical Costume Construction, Costume Design Skills, Scenography and Dress History.
The exciting potential of this course is the ability to experiment and innovate whilst students hone their skills as a maker or designer. It fosters originality and creativity in the application of techniques of enquiry, research and making. It locates their practice in the interdisciplinary and global context, be it theoretically based in historical research and analysis or on a live production involving the transformation of costume design from page to stage.